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dc.contributor.authorScott, F
dc.contributor.authorParry, B
dc.contributor.authorMarsh, J
dc.contributor.authorLahmar, J
dc.contributor.authorNutbrown, B
dc.contributor.authorScholey, E
dc.contributor.authorBaldi, P
dc.contributor.authorLaw, L
dc.contributor.authorYamada-Rice, D
dc.date.accessioned2024-01-19T11:49:01Z
dc.date.available2024-01-19T11:49:01Z
dc.date.issued2023-10
dc.identifier.issn2056-3051
dc.identifier.issn2056-3051
dc.identifier.urihttps://pearl.plymouth.ac.uk/handle/10026.1/21917
dc.description.abstract

Despite the widespread use of YouTube by children, there has been limited research undertaken on the “why” questions of their use. Past theoretical approaches have framed these questions in terms of broader individual needs and their relation to media use, though this work has mainly focused on adults and adolescents. This article presents relevant findings from a mixed methods study of children’s (aged 0–16) uses of social media in the United Kingdom to consider instead the “purposes” of children’s YouTube use, drawing on: (1) an online family survey; (2) family case studies; (3) child focus groups; and (4) child telephone interviews. “Purpose” is theorized in the article in relation to the ways children themselves make sense of and articulate the reasons they use YouTube or, in the case of parents and carers, for allowing, facilitating, or encouraging their children to use YouTube. Parents tended to frame the purposes of children’s YouTube use more instrumentally, focusing on perceived educational benefits and their own convenience needs. While sharing a focus on instrumental purposes, children sometimes emphasized broader dimensions of purpose, with an increased focus on humor, sensory, and hedonic dimensions. Children’s responses also emphasized the autotelic nature of play. The study foregrounded the extent to which the purposes of others (such as commercial entities) are served by children’s YouTube use. Seven child-centered, parent-centered, and “other” purposes for children’s YouTube use are discussed: cognitive, corporeal, cultural, collaborative, creative, commercial, and convenience.

dc.format.extent20563051231216931-
dc.languageen
dc.publisherSAGE Publications
dc.subject4701 Communication and Media Studies
dc.subject47 Language, Communication and Culture
dc.subjectClinical Research
dc.subjectPediatric Research Initiative
dc.subjectPediatric
dc.titleAddressing the “Whys” of UK Children’s YouTube Use: A Purposes Approach
dc.typejournal-article
dc.typeJournal Article
plymouth.issue4
plymouth.volume9
plymouth.publisher-urlhttp://dx.doi.org/10.1177/20563051231216931
plymouth.publication-statusPublished
plymouth.journalSocial Media + Society
dc.identifier.doi10.1177/20563051231216931
plymouth.organisational-group|Plymouth
plymouth.organisational-group|Plymouth|Faculty of Arts, Humanities and Business
plymouth.organisational-group|Plymouth|Faculty of Arts, Humanities and Business|School of Art, Design and Architecture
plymouth.organisational-group|Plymouth|REF 2021 Researchers by UoA
plymouth.organisational-group|Plymouth|Users by role
plymouth.organisational-group|Plymouth|Users by role|Academics
plymouth.organisational-group|Plymouth|REF 2021 Researchers by UoA|UoA32 Art and Design: History, Practice and Theory
plymouth.organisational-group|Plymouth|REF 2028 Researchers by UoA
plymouth.organisational-group|Plymouth|REF 2028 Researchers by UoA|UoA32 Art and Design: History, Practice and Theory
dcterms.dateAccepted2023-08-21
dc.date.updated2024-01-19T11:49:00Z
dc.rights.embargodate2024-2-1
dc.identifier.eissn2056-3051
rioxxterms.versionofrecord10.1177/20563051231216931


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